We’re absolutely delighted to introduce you to one of the most exciting artists to come out of the South in some time, Elizabeth Fowler! And we’re even more excited to share that we’ll be hosting Elizabeth’s art debut in Atlanta on June 8th – mark your calendars now!!
Elizabeth is fun, dynamic and her work will have you using all the heart eye emoji’s you can handle. She’s a true professional; absolutely polished and totally poised for even bigger and better things. We’re thrilled Elizabeth will be showcasing some of her work at steve mckenzie’s and wanted to give you a glimpse into who she is before the big debut. We hope you enjoy this latest installment in our “Who you NEED to Meet” blog series!
Elizabeth Fowler lives in Jackson, MS. She graduated from The University of Alabama with a degree in Communication and Information Sciences. She began painting in March of 2016 and has since held successful pop up exhibitions at the Mississippi Museum of Art After Hours series, Courtney Peters Design and Adam Trest Home.
In 2016, her work was included in the Fondren Renaissance Foundation’s annual Cedars Juried Art Show and she was named one of Portico Magazine’s 2016 Artists Rising. This year, Elizabeth was included in the self-portrait exhibition at Fischer Gallery in Jackson.
sm’s: Can you please share a bit about your background/how you started/how you started Elizabeth Fowler Art and how you gained the courage to break out on your own?
EF: I spent the first 13 years of my career in marketing project management, client relations and new business development. I’d always had a desire to do something more physical and more creative. To create a “product” of some sort. A little over a year ago, I left my marketing post not knowing what my next step would be. The main goal was to focus more acutely on raising my 4 year old daughter, nurture my true self, better support my husband and pay more attention to our household. But mainly nourish my then-depleted soul.
I really wrestled with what I would “do next” to make a mark, prove value or justify existence. I received the greatest gift of all…. the luxury of rest and the ability to wait. I thought about going back to school but wasn’t sure how I’d select between multiple interests. I thought about beginning to write but wasn’t sure what my goal would be with the writing and frankly was afraid I’d get lost in my own musings. Then, I remembered painting. I chose painting because I thought it might be the most reasonable way for me to export parts of my spirit.
There were many fears. But, I realized that I really had nothing to lose and just went for it. In short order, I had sold several paintings and was very encouraged to keep going. The work just started pouring out of me. The act of painting was so meditative and healing for me and I loved that it opened me up to so many new relationships with other artists, collectors, etc.One year later, I realize that this year of painting, resting, trusting has been the best year of my life. That joy is the fuel for growing my body of work and continuing to stretch my abilities.
sm’s: What inspires you/your art?
EF: Wow. So much.
I’m inspired by materials and processes. I love nothing more than testing new materials and processes.
Other artists. The more I paint, the more I hunger for imagery created by others. I love it when I think that I’ve seen great art and then I’m introduced to a new artist and my entire paradigm for “good work” is shattered and recreated.
I’m inspired by beautiful weather. I paint out of doors at my home. The light filtered through the tress in my backyard on a 70 degree day is irresistible.
I’m inspired by the forces behind the development and sustenance of the natural world.I’m also frequently inspired by Instagram photos before they fully load. You know when they’re still blurry and abstract. The most mundane subject matter becomes SO visually interesting when blurred! I always want to paint after seeing those — thank God for slow internet connection!
sm’s: What is your vision, not only for the Elizabeth Fowler Art brand, but also the individual pieces you create?EF: I don’t consider myself to be a brand. About 8 months ago, I tried to think of myself/ my work in that way and I learned that it took the life out of it for me. So now, I just paint what I paint. Even though my pieces vary in color and theme, they usually all carry the mark of my collective experience. I’m not sure quite how that happens, but the marks end up relating all of my paintings to each other.I paint intuitively, so I don’t go into a body of work with an expectation or vision. Correction…. Sometimes I do and my intuition takes over, yielding something that in NO WAY reflects my original intention. The piece comes out and it is what it is (forgive the overused expression!). What I hope for each piece is that someone will be drawn to it, appreciate it, buy it and enjoy it.
sm’s: Do you have any “mainstays” in your work – is there something you’re always drawn to?EF: If you asked my mentors and art advisors, they’d say “YES!” but, my answer is that I’m so new at this that I couldn’t say there are elements that I cling to. Of course there are tools in my kit that I pull out. Drizzling, dripping, spraying, doodling.sm’s: What are the differences in your collections – i.e. how do you create such unique pieces that remain a part of one, cohesive line?EF: I paint collections in sessions. On any given day, I’ll put down 3-10 pieces of paper or canvas and paint in succession until they’re complete. Once those are finished, I really can’t replicate it. The work itself is a record of the weather that day, my mood and the materials that were available to me at that moment.The pieces are cohesive because they all come from the same point of origin, me.
sm’s: What do people need to consider when looking to purchase one of your pieces?
EF: I think that the only thing that is required to purchase one of my pieces is connection. A connection with the piece. The owner’s connection with the piece, which might be completely different from my connection with the piece. The painting is like a person…. It’s allowed to have different connections with different people.The second thing that would be nice is a connection between the buyer and me. I love people. I love when I really get to know who they are. I realize that the more work I sell, the harder it’ll be to truly connect with every buyer. But I’d love it if that were possible. I want people to look at my work in their space and feel a warmth because they love the work but also to feel as though they’ve purchased a spec of my being and are able to celebrate the moment I made the piece.sm’s: What’s on the horizon for you/Elizabeth Fowler Art?EF: The thing that I MOST love about life is the unpredictably of it all. Two years ago I was working to help proliferate a casual dining brand with NO IDEA that I’d be painting. Six months ago, I couldn’t have imagined that I’d meet and connect with some of the artists with whom I’ve been fortunate to form unique bonds. LIFE IS AMAZING! That being said.
In the next year, I’d like to amp up my presentation and land a two-person or solo gallery show. I’ve just hung my first solo show in a community gallery. My next step is to work with a full-time commercial gallery on a show.
sm’s: As an artist/business person how do you recharge?EF: Funny. Painting is the recharge for me. I paint about two days a week and it is such a catharsis for me. It’s important for me to maintain a balance in my life. Elements in that balance are quality time with friends and family, travel, afternoon cocktails with my husband (Mint Juelps), play with my daughter…. And sleep. I love to sleep. It’s the only time I can get my mind to stop. 🙂
sm’s: Anything else you can think our readers would enjoy learning about you/your business/artwork?EF: Come see me! I want to meet you, hear from you, get to know you!