Library Friday – Roy Lichtenstein In His Studio

We’re so happy to have steve mckenzie’s Team Member, Xavier Neuner, back with us today, sharing his most recent Library Friday post! This time around, he’s offering his take on “Roy Lichtenstein In His Studio.” Read on to learn what his thoughts are on this book about the iconic pop artist…

Xavier Neuner
Xavier Neuner

I am very excited about this book review! I’ve always loved Lichtenstein’s work.

Roy Lichtenstein in His Studio by Laurie Lambrecht
Roy Lichtenstein in His Studio
by Laurie Lambrecht

Thanks to Laurie Lambrecht the bar has been raised to a new level of favoritism. Lambrecht was lucky enough to be Lichtensteins assistant during the early 1990’s. 

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Laurie Lambrecht

One day he told her to bring a book to keep occupied while he was working.  Instead, she brought her new Hasselblad camera so she could experiment with composition and lighting.  Roy was more than supportive in her creativity learning. 

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Roy Lichtenstein

My mother always said, “Great opportunities come only once.”  In Laurie’s case, being allowed to take photos of a Pop Art legend during his last few years changed her life.  Her collection of photographs let the viewer see a glimpse into an artist’s creative process from inspiration to rough sketches, to the final product. 

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I personally thought Lichtenstein must have had a very steady hand to have such crisp edges in his paintings, but actually he covered his canvases in painters tape.  After the paint dried he slowly pealed the tape to reveal oversize comic book inspired work. 

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Again, as I flip through the pages I can’t help to think, if you approach a cross roads… Go for it. They could add to some of your most unforgettable moments in life . 

Go for it, for sure! We love seeing these books through Xavier’s eyes, and are so grateful to him for sharing his thoughts here with us.

So, what’s your take on this Library Friday selection?! Are you a Lichtenstein enthusiast like us?

Who you NEED to Meet: Augusta Wilson

Augusta Wilson, of Augusta Wilson Studio, is an artistic force to be reckoned with. And we’re thrilled to have the opportunity to introduce you to her at an upcoming showcase of her fantastic artwork, as well as this “Who you NEED to Meet” blog post…

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Augusta is a southerner through and through – she currently resides in nearby Decatur with her husband and baby son. But don’t let that southern charm dissuade you. Her art is the epitome of modern sophistication. The textures, colors and imaginatively fun focus of her art leave you wanting more.

We hope you’ll join us and experience the art of Augusta Wilson for yourself at her show in the steve mckenzie’s showroom this Friday, October 23 from 5-8pm. Until then, please enjoy getting to know Augusta a bit better and in her own words:

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Augusta Wilson

sm’s: Can you please share a bit about your background/how you started Augusta Wilson Studio and how you gained the courage to break out on your own?

AW: I was raised in a creative environment in Mobile, Alabama—birthplace of Hank Aaron, West Indies Salad, and all fourteen of my first cousins. My mother is a graphic designer, and as the oldest of her four children I took after her creative tendencies. Growing up my siblings and I were always involved in her projects, whether it was a photo shoot for a magazine ad or mural for the Junior League fundraiser. In hindsight this ultimately had a huge impact on my career choice—I’ve always known I wanted a creative career that allowed me to spend time with my children.

Being the oldest of my family also meant I became fiercely independent—which holds pretty true today. I chose to get my undergraduate degree at the University of Georgia for three reasons: their art school seemed credible, Athens, GA was a good distance from Mobile, AL, and they had a study abroad program that would let me live in Italy for a summer. I knew one person the day I arrived and didn’t even tour the campus until orientation.

Augusta mixing paint

The first reason, UGA’s Lamar Dodd School of Art, is how I really got into painting. Painting had always come naturally to me, but I had never taken it seriously. It was pure hobby before college. I played around with different fields of study at Lamar Dodd—graphic design (you’re welcome, Mom), photography. It wasn’t until my sophomore year that my drawing instructor, Jen Bandini (who is an awesome painter in her own right—check our her blog, Escape to New York. So good), pointed out the gestural marks I was making. “You are such a painter”, she told me. At that moment it just clicked. I signed up for my first oil painting class the next quarter and never looked back.

I love a hypothetical question, especially at a dinner party (side note: I really just love a good dinner party!). My go-to hypotheticals are: “If money were no object, what would you do?” and the slightly more morbid, “If you could choose, what would you have for your last meal on Earth?” The answer to the first, for me, has always been that I would have my own painting studio at home and paint my days away.

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Of course, starting my studio was not as ideal as money being no object for me (Far from it, in fact. I’m an artist, y’all!).  I’ve been painting on the side of my day job since college. When I was pregnant with my first child a couple of years ago, my creativity went through the roof. I had to paint everyday. I suddenly had so many more ideas for paintings and couldn’t wait to get them on the canvas. I started posting images of my daily (or really, nightly) paintings on Instagram, and my followers started buying them! There were some instances when I would get up early and finish a painting before going to my day job, post it on Instagram, and it would sell by lunchtime. It was incredible, and (obviously) a huge point of encouragement towards going full-time in my studio. I couldn’t help but think that if I were to put all of my efforts towards creating and marketing my work that this could be a viable source of income and creativity for my life.

The other point, unfortunately, was that my employer at the time was not encouraging of my pregnancy.  Of course, that’s a whole other story.  Nevertheless, I found myself thinking that (as naïve as it sounds) you do only live once. I wanted my child to be proud of the profession I had chosen, I wanted to be proud of the profession I had chosen, and I knew that my contentment with what I did for a living would translate towards his attitude in life.

I started my studio shortly after the birth of my son, and it’s been one of the most challenging and best decisions I’ve made. YOLO, y’all.

Paint Upclose

sm’s: What inspires you/your art?

I’m a painter’s painter. I love the texture of oil paint, the juiciness of it, the history of it.  I love the whole process of layering oil paint, finding the right medium to mix it with, finding ways to manipulate it. The paint in itself inspires me!

Painting too, of course, is also tightly entwined in history. I find that every mark I make or color I mix is reminiscent of those who have gone before me, and thus I’m constantly reminded of my own history. Inevitably, the South, my life, and the design world around me find their way into my paintings.

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My current series for my Fall collection is inspired by approaching storms on Mobile Bay. Growing up in the hurricane target zone of Mobile, Alabama, the coming of Fall also meant the coming of storms. For those of us who grew up on the water, these storms hold tight to our memories. The salt in the air, the instantaneous dropping of temperature and sweeping of winds, were all a part of the sensory overload as we watched the horizon line disappear with the onslaught of rain. For me, these memories bring a sense of solitude, which I poured onto the canvases of this series.

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sm’s: What is your vision, not only for Augusta Wilson Studio, but also the individual pieces you create?

I am interested in art that is both accessible and thought provoking. I want to bridge the gap between paintings that belong in MOMA and paintings that match your sofa. I believe you can have the best of both worlds.

Augusta starting canvas

sm’s: What’s on the horizon for Augusta Wilson Studio?

I’m currently working with a handbag designer in Indiana to create hand-painted leather clutches for the studio! I have a weakness for fashion, so this is a perfect blend of worlds for me. They’ll be ready in time for holiday season and available for purchase on my website as well as a handful of Atlanta retail locations. Stay tuned!

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sm’s: As an artist/business person how do you recharge?

Painting/Running a business is such a mental game, so I try to get in a daily long run or yoga session to get out of my head. Also, if you haven’t caught on already, I’m a huge nerd. I love to read. I’ve been trying to read a book a week, which is a total luxury. I’m currently reading ‘Fates and Furies’ by Lauren Groff. So far, so good.

All that being said, my favorite way to recharge is with a great meal and even better company. My husband and I love to cook, so a nice glass of wine (or two) as we make dinner and catch up is something I really look forward to during the week.

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Cheers to relaxing with the one(s) you love over a weeknight meal and nice glass of wine! Thank you for the candid responses, Augusta!

If you didn’t fall a little in love with this wonderful artist and her unique works, we assure you, viewing them up close and in person at her upcoming show will ensure your appreciation for Augusta and her paintings.

We look forward to seeing you in the showroom soon!

 

Library Friday – Jackson Pollock: A Biography

For this Library Friday feature, steve mckenzie’s team member, Xavier Neuner is back – and this time he brings a debate!

Xavier Neuner
Xavier Neuner

Xavier selected “Jackson Pollock: A Biography,” as his choice this Library Friday, and offers some unique insight into the work of this timeless artist…

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Hello avid steve mckenzie’s readers, This week’s Library Friday topic brings us a debate that has been going on for years –  Jackson Pollock! Is his work a breath-taking, original idea, or a product of a lazy man’s way to fame?

I personally believe Pollock’s work is ground breaking for the time. The definition “to paint” is to cover a surface or object with paint.  Nowhere did the definition state that an artist needs a paintbrush to apply paint on a surface.

Jackson Pollock was the first artist to fully grasp this concept.  As his painting styles evolved he began to experiment with dripping the paint onto canvas.

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Jackson Pollock – One Number 31, 1950

My friends and family know how I act when we go to a museum or art gallery.  Rarely do I stop and stair at artwork during an exhibit, unless I am engulfed in the technique of the piece.  When I saw Pollock’s “One Number 31, 1950” for the first time, I felt like Cameron Frye, Ferris Bueller’s best friend.  I couldn’t help but observe how many layers of paint make up the texture on the canvas. He truly understood in order to paint all a person needs is paint and a surface.

We love learning Xavier’s take on some of our favorite works in the steve mckenzie’s library! What are your thoughts  – do you agree with Xavier, or have an alternate point of view?! Please share in the comments, we’d love to know your thoughts!